That feeling when you get into a warm bath after a difficult day, and you know everything will be alright is the kind of sensation you get in the remote audience of Puccini’s timeless classic Madama Butterfly. It’s not just about music that you will recognise from countless […]
THE COURT DRAMA in the wake of a murder of passion is arguably the most enthralling context for a thrilling story to unfold. Put it in the hands of one of South Africa’s finest directors, know that it sparkles with the words of the queen of murder mysteries […]
THE ROLLICKING CLICHES surrounding stories of love: love found, love cherished, love betrayed, love lost, is something central to who we are as human beings. So central that the idea might make you yawn a bit. The telling of tales of love have always begged for a mix […]
IF YOU SLIGHTLY close your eyes through all the frippery and flappery of the first act of Puccini’s La Rondine, you might believe yourself to have been magically transported into an Aubrey Beardsley painting, with all its Art Deco glissandos and arches, gold leaf and quirky feathery headdresses. […]
THEATRE IS NO only alive and pumping in South Africa; it is world class. Take a gander at Ashley Dowds in one of this country’s contemporary classics, Paul Slabolepszy’s The Return of Elvis du Pisane, and you’re got the picture: gritty, funny, tragic, universal and something that will […]
SOMETHING HAS TO be said about the value of sheer fresh, spoof-driven comedy which tosses industry in-jokes in the air as liberally as it does asides from movies, and in which the cast have as much fun – or more – as you do, in the audience. Throw […]
JUST WHEN YOU think you’ve got your whole act together, you know something might jigger it all into disaster. It’s like when you manage to get to the post office to buy stamps, and lo and behold, there’s a madman there, shooting the life out of everyone. This […]
MUSICAL TALES THAT wag a finger or six at values which keep young blood closeted in ignorance have a danger of warming the cockles of the heart even before the curtain rises. Sylvaine Strike’s adaptation of Frank Wedekind’s establishment-rattling work Spring Awakening which was only first performed some […]
IN HIS EXQUISITE 2008 tractate on death and dying, English writer Julian Barnes comments that just as every writer will have a last reader, so every grave will have a last visitor. South African artist Maria Pienaar takes this profound reflection a step further, contemplating the last viewer […]
GENTRIFICATION. IT’S AN issue you cannot be passive about, particularly if you have axes to grind and stakes you’ve planted in the decaying area under question. Brent Palmer’s play King George takes on the behemoth of city life in all its glory and shabbiness, and he wins. It’s […]
ansunecilliers
beckkglass
Chester Miggels
Gillian Rennie
elizhanduvenhage
erinventer02
Geoff Sifrin
godukazinobulali
henricopg
huibrechtdehart
isabeausophiajoubert
jessicajoubert
kaylamullerr
matthewvanderwalt
meereieliefde
olgalouiselemmer
Peta Kaplan
Robyn Sassen
shanelschoombee
thembanhlapoart
Willem Pieter
zainabchoonara
Recent Comments