In terms of power she wields both as a character and a performer, Mpume Mthombeni as Nomsa is God in a pair of 1950s-evocative horn-rimmed specs and a dress appropriate to a middle-aged woman. She carries the world on her head and can invoke humility or catastrophe with a gesture.
You don’t come away complacent from this work. Is it assaultative? Absolutely. Relatable? 100%. You feel broken, body and soul as you emerge from it. You laugh with recognition at the dark tropes and you sweat with a personal dread at where this work may go, as you experience it.
Replete with cruelty, nakedness, burning incense and song that will reach into the very chambers of your heart, ‘The Black Circus and the Republic of Bantu’ is much more of a ritual than a spectacle. You emerge from the experience with a seismic sense in your gut. Something has happened.
DO YOU REMEMBER the cultural imperative in South Africa? The thing that you had to see, at all costs, whether it was an opera or an exhibition, a performance or an event? Kentridge’s The Head and the Load evokes this artistic urgency among South Africans, that is at […]
YOU MIGHT NEVER have thought of the sinew at the back of your knee as something to hang your whole body weight on. You might also never have contemplated the awkwardness of being in an elevator as a dance-making opportunity. The whirligig that is the human body is […]
SIT STILL FOR a moment and listen. If you are lucky enough to be in a place where birdsong reaches your ears before the angry rush of traffic, hold onto that. But try to hear what those birds are saying, and take heed. This is the nub of […]
LOSS. IT’S SOMETHING that has characterised so much of our emotional landscape over the past two and a half years, and yet it’s so enormous and universal and specific and intimate that none of us are able to fully cast ourselves around what it means. It’s stupendous. And […]
THE GROUND THAT you think is firm enough to hold you and your history and values may not be as solid or kind to you as you think. Or hope. It’s a concatenation of ghosts, of the detritus of dead buried there and of the messy issues associated […]
WHEN YOU KNOW, from the first few phrases of a book, that you are in good and powerful storytelling hands, the rest of the text sings beyond the confines of its pages. This is the kind of experience you can anticipate in Catherine Cole’s foray into South African […]
NON-BINARY SOUTH AFRICAN performance artist Dean Hutton has stood on the outside looking in, for most of their life. While this may be a horribly lonely position for a child, it is one of supreme potency for an artist at the summit of their personal, political and artistic […]
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