IF YOU’VE WITHSTOOD the hype around the Mamma Mia musical, because you’ve instinctively recognised it for the candy floss, shameless money generating initiative that it is, don’t relent now. Mamma Mia! Here we go again, is a further foray into a schlock-redolent yarn rich with platitudes and clustered […]
WELCOME TO CLUB D, where everyone has a heart that is a little bit broken. This is the thread that runs through this sweet revue of songs and divorce repartee with acapello wiz, who you might remember from Not The Midnight Mass, Alan Glass and Cat Simoni, with […]
VERY OCCASIONALLY, SOMETHING comes along which not only ticks every conceivable box in terms of a great production, but it also sets the audience on fire with delicious abandon, and has otherwise demure people dancing in the aisles like demons; people who will drive home with the CD […]
AS THE FIRST trumpet cadence sounds, of the Annie theme song, before the curtains open, the children in the audience hush in anticipation, jiving in their seats as the jazzy showbiz magic of the tune takes over. Directed by Jill Girard and Keith Smith and featuring the astonishing […]
Remember Sesame Street and the values it espoused on generations of children? Well, 15 years ago, the makers of Avenue Q worked with its basic puppetting premises and ramped it up to a whole new set of narrative values. Now, in its 15th year, it explodes in a […]
YOU KNOW THAT headache you get when you are grinding your teeth really energetically to ensure that the outer chaos doesn’t make your whole head implode? That is the kind of feeling you may emerge with when you exit Hedwig and the angry inch. It’s a mash up […]
THERE ARE SO many “wow” moments in the South African stage version of The Color Purple: The Musical, you’ve got to hold onto your seat with both hands. Supported by a set that features diagrammatic representation of space and texture, a cast that sparkles with magnificent voices and […]
ONE OF THE toughest aspects of mounting a West End and Broadway hit musical that has iconic film status is probably also one of the production’s biggest blessings: everyone knows the lyrics to the Lloyd Webber and Rice production Evita so well, they’re bawling them out all the […]
IT WAS THE show that launched the international careers of such performers as Hugh Masekela and Miriam Makeba and the Manhattan Brothers. King Kong. It’s been labelled iconic and groundbreaking, and frissons of its great potency filtered through the ether long before the Fugard Theatre’s season of this […]
<<Warning: This production contains strobe lights and lights focused directly on the audience>> THE TRICK OF writing good material for a stage production is not about packing a story full of so much detail that it develops narrative indigestion, and then focusing interrogation-strong lights on your audience from […]
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