“IT’S HELL TO try and get a concert ready in such a short period of time, but it’s important that we are a part of the Johannesburg International Mozart Festival,” says Rosemary Nalden, the founder and conductor of Buskaid Soweto String Ensemble, arguably South Africa’s most important musical […]
He laughs at the idea of being the “darling” of the Johannesburg International Mozart Festival, the eighth edition of which started last Saturday, but classical guitarist James Grace has been an important festival drawcard, performing during the last three years of the festival to capacity-packed venues. This year […]
How do you blend jazz – an abstract but very specific musical genre – with visual art? On one level, it seems natural – the idea of some cool riff being translated into a glorious autographic line – but when you think of an art audience, will this […]
Think of Dreamgirls or Jersey Boys on a shoestring budget and you will get an idea of the loveliness of I’m playing your song. It’s a new work, co-written by its director and performer, embracing the period in which arguably some of the greatest popular music in the […]
What is it that can take a language coloured by historical violence, a conservative community with historical bias on its hands, and turn them completely around, enabling the community in question to view itself in an hilarious and truthful mirror? The unequivocally miraculous phenomenon of Afrikaans culture that […]
They bray like donkeys when a performer makes a move they’ve never seen before. They clap hysterically at any pause in the music or the movement, assuming this is their cue. They give standing ovations for anything at all. These are our people: South African audiences might have […]
They controversially deemed themselves more popular than Jesus Christ. Their songs are probably better known than Shakespeare. At 21 they were immortal. But they didn’t do it alone. This absolutely beautiful play reflects on the mysterious character of Brian Epstein, the record shop assistant who became manager of […]
It’s odd to think that a director could get some parts of a film so right, but enable an ending for a film that so profoundly negates all its explored values in one foul swoop. While François Girard’s Boychoir probes the preciously transient phenomenon of the soprano boys’ […]
A fiddler on the roof. Sounds crazy? The eponymous Norman Jewison musical from the 1970s, based on a series of stories by Shalom Aleichem may be high schlock to most contemporary audience members, but it retains its status as a modern classic, for a whole rash of reasons, […]
It’s curiously challenging to attempt to pinpoint quite what makes Rocco de Villiers’s work so utterly entertaining and sublimely successful. Not unlike Nataniël, but still holding firmly to his own brand, his is an approach that is light-hearted yet earnest, filled with puffs of effervescent notes yet competent, […]
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