‘So Long, Marianne’, a tribute to Marianne Faithfull is not only about the 1960s peaceniks or the proliferation of drug-users of the 1970s, it’s a piece threaded through with Shakespeare to make you weep, taking the voice of an angel to the depths of the demonic, with cigarettes and time.
It is soprano Lise Davidsen in the double-sided role of Fidelio and Leonore, that holds the moment with such acuity, you cannot take your eyes off her. Her presence raises this opera to a paean of hope in the face of injustice, and absolute excellence in the face of mediocrity.
In the hands of Daniel Butcher-Geddes, The Jungle Book’s all fun and games until the really scary beasts are part of the fray. And it’s here that you will see easily the finest snake puppet given life on stage in this country by Virtuous Kandemiri in the role of Kaa.
Nicholas Wilcox endowed so many of his students with an unforgettable understanding of the value of play and of the complex freedom to fail. He showed youngsters how to embrace the absurd and chaotic in a world that could be cerebral and cruel as it could be beautiful and rich.
Now in her sixties and not afraid to take hold of the world with both hands, Elzabe Zietsman’s revue comprises a mêlée of songs which she has penned and others she has moulded to fit South Africa’s unique levels of hypocrisy, hatred and hope, sometimes all in the same breath.
This is opera at its best … prepare yourself for a total treat, for the ears, eyes and soul. It will replenish you, even if you are not familiar with the work, or the medium of opera.
HOW DO YOU give fresh life to a biography that has been told millions of times before? If you are Amanda Bothma, Kerry Hiles and Luke Holder, and the biography in question is that of the great Judy Garland, you immerse yourself into the very fabric of that […]
IF YOU SLIGHTLY close your eyes through all the frippery and flappery of the first act of Puccini’s La Rondine, you might believe yourself to have been magically transported into an Aubrey Beardsley painting, with all its Art Deco glissandos and arches, gold leaf and quirky feathery headdresses. […]
WHEN YOU THINK of Amadeus, Peter Shaffer’s perfectly wonderful play of 1979 that cast mischievous light into the mysterious nooks and untold crannies of the life of 18th century Vienna composer Wolfgang Amadeus Mozart, the first thing that comes to mind is the music, that Confutatis from Mozart’s […]
HOW MANY BEAUTIFUL dreams have you left by the wayside as life has taken over and pushed you in directions that made you weep? How many times have you stood back and said: ‘I don’t want to be part of someone else’s project’? Bruce Dennill and Talia Kodesh […]
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