It was Mary I of Scotland who first stated “in my end is my beginning”, a comment uttered on her imminent death, and her quest for immortality. It’s a strange and yet completely fitting starting point for this great monster of a dancework, choreographed by Sunnyboy Motau, which […]
FEBRUARY IS BLACK History month and the Market Theatre proudly touts this international commemorative energy with arguably one of black America’s most poignant hard-hitting plays. Written in 1959 at the height of racist issues of the time, A Raisin in the Sun compares unequivocally with Arthur Miller’s inestimable Death of […]
With her floor-length purple dress riffling in the wind as she shimmied across President Street on the arm of choreographer/dancer Muzi Shili and others associated with Moving Into Dance Mophatong (MiD) , arguably South Africa’s most important contemporary dance company, Sylvia “MaGogo” Glasser, the institution’s founder, bade MiD […]
I thought I dreamed it. I remember the words “Theatre is dead in SA” on a street pole advert in black type on a while background under the dark blue logo of a weekly national paper, a few days ago in Johannesburg. And I filed the recollection of […]
They bray like donkeys when a performer makes a move they’ve never seen before. They clap hysterically at any pause in the music or the movement, assuming this is their cue. They give standing ovations for anything at all. These are our people: South African audiences might have […]
You are led into the space by a series of lit thick short candles, evocative of the memorial-imbued candles of Jewish tradition. You encounter a woman being washed by another, in a ritual context that is achingly intimate even though it is cast in the thick of audience […]
Occasionally in life, if you are really lucky, you get to see a work which reaches with delicacy, directness and supreme intelligence into the history of its own technical tradition and pulls out something so fresh and unique that it takes you until you get home to catch […]
A fiddler on the roof. Sounds crazy? The eponymous Norman Jewison musical from the 1970s, based on a series of stories by Shalom Aleichem may be high schlock to most contemporary audience members, but it retains its status as a modern classic, for a whole rash of reasons, […]
“Compressor Pump” we used to call him, behind our hands, behind his back. Nasty caricatures were drawn of him on toilet doors and in the margins of lecture notes: a man with a big stomach, his nose in the air, a red face. He was the king. We […]
Just when you think you know who’s hot and who’s not in contemporary dance, just when you’re catching your breath after Dance Umbrella, there comes a showcase work so utterly perfect, that all the parameters shift and you’re privileged to see the bar being raised again. Lulu Mlangeni […]
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