Myra Egdes’s ‘The Goldfish Bowl and Other Stories’ is a kind of ‘sowing of wild oats’ series of moments for young women, and in being so, it offers a rich slice of life that comments on the world and the implicit sense of protection for young travellers from South Africa.
This tale is about the women who have awaited their absent men for hundreds of years. It is also about men who go into the world to create lives for themselves, knowing – or maybe forgetting – about the domesticity born of innocent love, that waits for them in a rural place.
The chorus of ‘The Portrait of Dorian Gray’ wins the day. It articulates just the right level of shrieking witch howls to keep the work ticking over and yet off-key. The texture of their presence evokes the disparity created by Polish composer Krzysztof Penderecki in his avant-garde contemplations of horror.
In Toshikazu Kawaguchi’s 2024 novel ‘Before we forget kindness’, the quality of line work in the descriptive passages is so achingly beautiful and so fascinatingly spare, it makes you feel like you are reading Japanese. The metaphors are simple, clear and rich. The sense of colour is memorable and strong.
‘Not Pop-Pop’ is about how grown-ups look away from some situations, but children won’t. Containing idioms like the idea of walking in someone else’s sneakers or how calling someone a bum is rude, the story doesn’t speak down to a small boy in the face of a great social issue.
In this book, Rory du Plessis enables you to look into the eyes of people who were subject to mental institutions in South Africa and to experience a sanctification of them as individuals. This beautiful protest touches on the slippery issue of anonymity and intimacy without hurting the people pictured.
In ‘Bush Brothers’, premised on de Witt’s experiences in the Angolan war, reflected on by war historians as South Africa’s ‘Vietnam’ in terms of the damage it wrought and its purposelessness, you get to understand the horror of violent sudden loss, the impact of friendship and terror of the unknown.
‘Kite Flying at World’s End’ is a beautiful, lucid read, edited to be tight and brief in its splaying out of the whole universe rolled into a few weeks. It leaves you with your heart holding onto the things that matter and a respect for how things must turn out.
Van Graan’s wit ranges from political one-liners that make you hear the proverbial “Ba Dum Tss” at the punch line in your mind’s ear, to brilliant sketches that reverberate with smart puns and rude twists of linguistic fate, not to mention the tweaking of popular songs into oft political weapons.
LET’S FACE IT: we all need a beautiful page turner, that sets us on fire and gives us something potent to come home to. This is Craig Higginson’s 2023 novel, The Ghost of Sam Webster. And yes, it’s a thriller, but there’s depth to it which is about […]
ansunecilliers
beckkglass
Chester Miggels
Gillian Rennie
elizhanduvenhage
erinventer02
Geoff Sifrin
godukazinobulali
henricopg
huibrechtdehart
isabeausophiajoubert
jessicajoubert
kaylamullerr
matthewvanderwalt
meereieliefde
olgalouiselemmer
Peta Kaplan
Robyn Sassen
shanelschoombee
thembanhlapoart
Willem Pieter
zainabchoonara
Recent Comments