Robyn Sassen
A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. I am currently a Research Associate at Wits University. This blog promises you new stories every week, be they reviews, profiles, news stories or features.
THERE’S SOMETHING ABOUT a man at the tail end of a long career, who holds tight to his dignity and even tighter to his broken dreams. It’s a quality as much about tragedy and heroism as it is about vulnerability, and in the central role of John Kani’s […]
WHEN YOU HAVE a mythical creature lying naked in your bath, how do you convince a colleague who has roughly the same proportions, to bring her smalls over to your apartment, without seeming inappropriate, or completely nuts? This is the conundrum that our hero, Frans (Francois Coertze) finds […]
SHE WAS A feminist before it was fashionable, a French Impressionist born in Pennsylvania, a woman painter in a man’s world. She took intaglio printmaking by the horns and created arguably one of the world’s most valuable collections of images. This was Mary Cassatt. Her story Mary Cassatt: […]
STRIP THINGS DOWN to their bare basics. What do you really need to make a production that sings while it reaches boldly into the interstices of everyone’s heart? The Old and the Beautiful with Tony Bentel and Fiona Ramsay is a show that has seen many summers and […]
THE SYMBOLIC POWER of the waiting room pervades an understanding of life itself. It’s a turbulent mix of helplessness in the face of some greater force, conjoined with the complex energy of an end crookedly and precariously in sight. Just out of focus, and around the corner, as […]
DO YOU REMEMBER a time when the world was a different place culturally, and the careful curation of an exhibition could be allowed the time and energy of nine whole years in its inception? The Cézanne exhibition central to this Exhibitions on Screen documentary ticks all those glorious […]
WHAT POWER DOES a government have in whitewashing filthy sins of the past? When Lithuanian officer Jonas Noreika was killed in 1947 by the KGB, he was revered as a martyr for his country, and the celebrations of his life ran so thick with enthusiasm, that his crimes […]
TAKE AN HISTORICAL site of worship that shrieks 1980s community in South Africa. Rattle its proverbial bones with the shadows and demons of what was profoundly taboo to that sense of community, then. Toss in some harsh lights, a dash of stage smoke and doef-doef music to make […]
WHEN YOU DEEM yourself capable of putting another person into a categorising box, you perform an act of unmitigated violence. And you can do this by simply calling those people ‘foreign nationals’, ‘migrants’, ‘others’, ‘a problem’, the list goes on. It’s a magic gesture which strips another person […]
SOMETIMES A NOTHING of a story can be the perfect shell for a mix of humour, philosophy and drama. And with the fabulous Javier Bardem at the helm of The Good Boss, you can anticipate narrative magnetism. It’s on this year’s European Film Festival; designed to be hybrid, […]
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