A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. I am currently a Research Associate at Wits University. This blog promises you new stories every week, be they reviews, profiles, news stories or features.
THERE IS ALWAYS something completely seductive about the appearance of a queue of people. One after the other, each with their idiosyncrasies: it’s an understanding of humanity that honours their uniqueness but empathises with their common plight. And the logic and structure of a line of people is […]
WHAT HAPPENS WHEN a gorgeous stranger pops into your restaurant for a casual burger and a stated desire for more? Is he a critic? Has he an agenda? When Louis (André Weiderman) presents himself at the restaurant owned by Lilian (Roeline Daneel), you think love is in the […]
CHILDREN ARE FASCINATING entities on stage or screen. Rogue in their sense of instinct, they can be either fundamentally defining for a work, or they can simply reduce it to a morass of precocity, doing damage to the artistic product and probably to their own self-esteem, by blowing […]
EVIL AND TERRIBLE leaders shape our world. It takes someone with a certain level of passionate belief in who he is and what he stands for, to commit the ultimate act of premeditated murder of such a leader. It doesn’t happen often, but it happened during the first […]
DON’T BE PUT off by the title of the new Diane Keaton film, Poms, and the bubble gum shallow American yarn it implies. Yes, all that glittery bubble gum stuff is there, enfolded in the story’s mix, but that’s probably not the main reason why you will love […]
HE’S EARNED HIS reputation – and several awards – as a fine art photographer, but Mikhael Subotzky has been smashing definitions throughout the trajectory of his career. This very large solo exhibition, entitled Massive Nerve Corpus at the Goodman Gallery in Johannesburg sees his thinking pointed in several […]
The name ‘Pablo Picasso’ has become idiomatic for so much: from superficial reflections on talent to car brands. But its associations have also become so completely flattened into a very narrow understanding of what this artist was all about, and why his work was important to the world. […]
THE BEAUTIFUL UNLOGIC and earnest hyperbole of a nine-year-old in conversation with his elderly grandfather starts this deeply wrenching play about sudden loss and unspoken words. Retief Scholtz’s work Karel se Oupa, was staged a few years ago, at the Market Theatre; it’s been reworked for radio and […]
AS YOU IMMERSE yourself in the quirky and wise body of work by Andrew Kayser currently on show at Galleri Kalashnikovv, you may experience a frisson of recognition that shifts and transitions as you look at it. But this hasn’t to do with the line work or the […]
PROACTIVE IN THE complex task of making the field of opera possible and attractive as a profession for coloured South Africans, tenor and professor of singing Sidwill Hartman once told the media that his most coveted role was that of the gutsy Pollione in Bellini’s Norma. The tradition-contravening […]
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