Author Archives

Robyn Sassen

A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. I am currently a Research Associate at Wits University. This blog promises you new stories every week, be they reviews, profiles, news stories or features.

Sugar and spice; passion and fierceness

FILM REVIEW: LITTLE WOMEN WE LIVE IN a world which is characterised by a lack of credibility and stability. Fake news has taken over the media industry like a cancer, spouting disbelief in every crevice. Violence of both a literal and a figurative nature is perpetrated wherever we […]

The Boy and his Bear Necessities

CHILDREN’S THEATRE REVIEW: DISNEY’S THE JUNGLE BOOK KIDS. EASILY THE BEST show yet by the creative team at the People’s Theatre, Disney’s The Jungle Book Kids will have your child jiving in the aisles to songs which may be older than you are. It’s a deliciously messy, rambunctious […]

Lucian, lionised

FILM REVIEW: LUCIAN FREUD – A SELF PORTRAIT THE CHANCE TO be able to get so close to the work of arguably the 20th century’s most important painter, Lucian Freud, that you can see the shadow between brushmarks, is phenomenal. Exhibition on Screen: Lucian Freud – A Self […]

The value Sylvia brings

BOOK REVIEW: TRANCEFORMATIONS AND TRANSFORMATIONS BY SYLVIA GLASSER IT WAS A work that would shake everything from the parameters of dance in South Africa to the way in which contemporary black dancers confronted their medium. Indeed, dance ethnographer, choreographer and academic Sylvia Glasser’s watershed piece Tranceformations that evolved […]

Caterpillar truths and cake-eating delights

CHILDREN’S THEATRE REVIEW: ALICE IN WONDERLAND. TAKING A HEAVILY-detailed Victorian foray into a world conditioned by what we would in today’s times call surreal and packing it into one hour for a predominantly contemporary childcentric audience, is one challenge. Arranging it for a cast of but four performers […]

Nothing to be afraid of

LIKE IT OR not, death is the final prognosis of all of us, and veteran performer Simon Fortin takes this on with a full-hearted foray in his stage work … Or not to be, drawing on both Shakespeare’s litany and his own considerable experiences. Everything tender and sharp, […]

How to meet your maker

A TALE OF lust and evil, worthiness and bias in the face of a racist society, teeming with some of the western world’s best known covers, Porgy and Bess seems to cock a snoot at everything that serious opera traditionally was about. Conceived and written by two Jewish […]