Film

When Gloria met Peter

Film Stars

ROMEO and Juliet: Gloria Grahame (Annette Bening) and Peter Turner (Jamie Bell) embrace their love, their lives and the Bard. Photograph courtesy www.austinchronicle.com

IT’S A GREAT rarity for a child actor who wows his audience to go away and come back to the industry all grown up and wow some more. This is exactly what you get in Paul McGuigan’s film Film stars don’t die in Liverpool, which features Jamie Bell as Peter Turner. This unique love story which is based on the true story of American film actress Gloria Grahame (1923-1981), penned by Turner himself, is the kind of film that will give you hope for the future of this society – and its filmmaking culture – it’s elegant and beautifully constructed with strong messages and gritty performances. And like any other love story, it’s about giving with a full heart and letting go, but there are so many delicate edges to it, you will want to watch this film over and over again. Forever.

Seventeen years ago, Jamie Bell was the child who defined Stephen Daldry’s Billy Elliott (2000), a story about a Northern England boy, the son of a miner in the riotous 1980s who wanted to do ballet. Today, he’s an adult, but the maverick fire in his belly and his ability to embrace complex social issues is as refined and beautiful now as they were then.

Again, we’re in the 1980s, with all its dance moves and analogue culture, in this wild romance. And the girl in the love story? It’s none other than Annette Bening, who is magnificent as a Grahame in her fifties. The love is passionate and unconventional, and Peter’s mum is played by the inimitable Julie Walters. Indeed, with Vanessa Redgrave playing Grahame’s mother, this film offers a full house of fabulous actresses over 60 and it celebrates them in ways that make you value the elderly in your own community.

But more than all of this, Film stars don’t die in Liverpool offers the kind of perfection that very few films can. Featuring a mature understanding of silence and wall paper patterns, of subtlety and finesse, along the lines of Hal Ashby’s 1971 Harold and Maude, which remains arguably one of the finest Holocaust films ever; it’s about exploring your lover’s body and finding truths which she can never tell you. It’s about what happens when marriage doesn’t seal your love, giving your lover’s relatives priority over you when it comes to death.

You know how this film will end by the very virtue of its title, but the predictability of the work is not the point. This is a film that embraces the brevity of life with fierceness and verve. It heightens the bar for the possibility of telling a story of this nature, enormously. It’s a film that makes you feel like you’ve stepped back into the glamour and magic of 1950s Hollywood, with all its illusions of sincerity, its stars and its unbroken dreams.

  • Film stars don’t die in Liverpool is directed by Paul McGuigan and is performed by Lee Adach, Anna Afferr, Tim Ahern, Lasco Atkinds, Rick Bacon, Frances Barber, Joey Batey, Roy Beck, Gintare Beinoraviciute, Jamie Bell, Annette Bening, Suzanne Bertish, Leanne Best, Michael Billington, James Bloor, Edward Bourne, Mark Braithwaite, Michael Brand, Tom Brittney, Joanna Brookes, Jade Clarke, Kenneth Cranham, Paul Dallison, David Decio, Stephanie Eccles, Karl Farrer, Helen Iesha Goldthorpe, Vaslov Goom, Stephen Graham, Leon Grant, Leila Gwynne, Alan Wyn Hughes, Alex Jaep, Bentley Kalu, John Kinory, Isabella Laughland, Adam Lazarus, Ify Mbaeliachi , Gemma Oaten, Luana Di Pasquale, Gino Picciano, Vanessa Redgrave, Jason Redshaw, David Soffe, Alexandra Starkey, Asmeret Tesfagiorgis, Glynn Turner, Peter Turner, Jay Villiers, Julie Walters, Nicola-Jayne Wells, Susan Westbury, Patricia Winker and Charlotte Worwood. It is written by Matt Greenhalgh, based on the eponymous memoir by Peter Turner. Produced by Barbara Broccoli and Colin Vaines, it features creative input by J. Ralph (music), Urszula Pontikos (cinematography), Nick Emerson (editing), Debbie McWilliams (casting), Jany Temime (costumes) and Eve Stewart (production). Release date: March 22 2018.
Advertisements

2 replies »

Leave a Reply