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Month: August 2017

Fine tuned laughter of memory and forgetting

IT TAKES A special balance of intellect and skill, depth of focus and an understanding of subtlety, texture, the shame and dignity of suffering, to say nothing of historical context to take the reins of a play as nuanced and rich as this work, Freud’s Last Session and […]

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Dance for me; I will weep

IF YOU PRICK me, will I bleed? They’re words which evoke the Jew in Shakespeare’s Merchant of Venice, offering a glance into the hurtful and ghastly illogic of xenophobia. South African choreographer Gregory Maqoma and Austrian born Helge Letonja in a compelling collaboration take these words and push […]

Are we home, yet?

<<Warning: This production contains strobe lights and lights focused directly on the audience>> THE TRICK OF writing good material for a stage production is not about packing a story full of so much detail that it develops narrative indigestion, and then focusing interrogation-strong lights on your audience from […]

Two women, and tea with Greek biscuits

LAST NOVEMBER, AN extraordinary gem of a play saw light of day at the Market Theatre. It was an unusual work, paying tribute to the complex life of South African Greek political activist, teacher, writer and social historian, Luli Callinicos. And unusual in that, because academics are seldom […]

Drive my car

THE ACHIEVEMENT OF theatrical perfection is very rare. And when it happens, you have to grab it with both hands, and make a point of seeing it, whatever it takes. The Afrikaans rendition of the 1989 American story of an elderly white woman and her black driver seems […]

Lessons of love and music

UNEQUIVOCALLY, IT IS the work of Schubert that violinist Zanta Hofmeyr gravitates toward, if she has to think of music that will last her a lifetime. Hofmeyr, a member of the Wits Trio, which comprises also pianist Malcolm Nay, who is also a professor of music at Wits, […]

Soil tilled to a new level

EVERY SO OFTEN in any artistic community, there’s an upsurge of aesthetic do’s and don’ts. It has as much to do with intellectual fashions of the day as it does with the personalities and egos in the industry. But it gives vent and platform to new voices, headlined […]